Ky-oh-no

So, please focus on the weirdness of the sweater and not the weirdness of my facial expression, because sometimes red eye removal on the computer = crazy eyes.
Actually, in this photo it doesn't look half bad compared to what I see in person. But I'm sure you can see that the shoulders are super boxy and that the neck is a little, uh, huge. I think the smaller gauge of the elann.com Sonata vs the Tahki Cotton Classic made for a heavier sweater because there was more yardage used (and Sonata is much more dense). I love the colors and in fact, I would definitely consider going back to this sweater in a different yarn with similar colors (just, not anytime soon).
I was disappointed that this sweater didn't look good on me, and truth be told, I've been a little depressed that I didn't even have a "Finished Objects 2007" album on Flickr. No, I've really not completed anything besides this.
But as I thought about it, I made peace with my Kyoto failure. This is resilient yarn; it will frog well. The colors are great and with a few more added in, will be a good little blanket (remember yesterday's mitered square preview?)
Also, it's not as though I NEEDED that sweater and made the SACRIFICE of spending so many hours working on it. I knit because I love knitting, truly. I like to finish and use things, sure. If I never made anything useful, I probably would fall out of love with the art pretty quickly. It's not all about the product, though - the company, the support, the feeling of being a little more productive when I sit down to watch tv, the amazing feeling of thinking something up and actually creating it (or...sometimes not) - that's why I knit. Who doesn't have a failed sweater in their history? Who knits everything perfectly every time?
I figure I can feel even more justified in that (admittedly bargain) yarn purchase, too. I get twice the expected knitting time out of it!
So here's the real question: Do I buy a ball winder and swift before I begin to take this thing apart?
>: )






